![]() Their improvised lyrics, or parodies, were often sarcastic, sometimes bawdy but always brutally honest. ![]() In place of songs with the army’s imprimatur, the men invented their own, making up countless verses for current hits, patriotic anthems, and well-known folk songs. Their attitude was “spontaneous or nothing,” noted Sergeant Mack Morriss, a South Pacific correspondent for Yank magazine. They do not sing what is expected of them by their elders.” They snubbed army-organized song sessions, too. Soldiers, a New York Herald Tribune editorial noted, “follow only one rule in their choice of songs. The army could tell men what to do, but G.I.s dug in their heels at being told what to sing and when to sing it. The army organized officially sanctioned sing-alongs and envisioned every platoon with a barbershop quartet and a “camp-fire instrumentalist (guitar, ukulele, etc.)” and each company with a song leader and “accordionist,” Captain Rosenberry wrote. The Quartermaster Corps even wrapped pamphlets of religious tunes around rations to make sure wholesome material reached the front. In 1941, it published its official Army Song Book, containing 67 patriotic, folk, and service songs like “ The Star-Spangled Banner,” “America the Beautiful,” and “Pop! Goes the Weasel,” and it expected soldiers to learn all 67 songs. Wanting things done its way, the army adopted a regimented approach to music. Claude Rosenberry, who helped set up the army music program. The army believed that group singing was important for “morale building through soldier participation” and “emotional stability through self-entertainment,” explained Captain M. Army wanted to keep this heritage alive as it mobilized and trained more than eight million soldiers to fight in Europe and the Pacific. SINGING has long been part of military life, and the U.S. ![]() Army recognized the vital outlet that music provided, but G.I.s preferred parody songs of their own invention over wholesome tunes pushed by top brass. "Sean Flynn" was one of the worst hit, being cut from eight minutes plus down to just over four minutes.World War II Soldiers Loved to Sing-Provided They Got to Sing Their Way Close The veteran producer Glyn Johns took over production of the album and was tasked with cutting the running time down, and against Jones' wishes he cut several tracks (some of which became B-sides and others which are still unreleased) from the LP altogether, and slashed the runtime down of other tracks. ![]() It included all the tracks at full length, as well as several tracks which remain unreleased (including a 12-minute improvised Jazz piano instrumental called "Walk Evil Talk"). Jones produced an early mix of the finished album, named Rat Patrol from Fort Bragg, in late 1981, which Strummer criticized for being overlong and self-indulgent. Except that Jones disagreed, and wanted another sprawling double or triple LP like Sandinista! or London Calling. So Strummer decided that their next album would be a single one so it would be easier to sell, as well as being more straightforward musically. Joe Strummer discovered that their previous album, the triple-LP Sandinista!, was very hard to obtain - many record shops even in New York didn't stock the record. This was one of many longer tracks on the record which ended up causing much tension during the mixing process.
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